Publishing

New for 2023

We are thrilled to release details of the poets (and photographer) who will be joining Maytree in 2023.

Thank you to everyone who submitted during our recent open submissions window. It is very humbling that writers continue to trust us with their work as we move into our fourth year. For all those who we’ve had to say no to (and everyone should have received a reply), we wish you all the best with your search for publication. Our portfolio award will open again in the spring, so please don’t forget to subscribe to our newsletter to avoid missing out on future opportunities.

This year, the quality of writing and ideas was particularly outstanding. Whilst it was a pleasure to read the work, it was an extremely difficult task to narrow the field down.

Here’s the list:

Spring/Summer

Elizabeth Stott – The Undoing

Pauline Rowe and A J Wilkinson – Sleeping in the Middle (a collaboration between poet and photographer)

Nick Allen – Local Universe

Autumn/Winter

Michael Brown – Right of Way

Rebecca Gethin – Snowlines

Tracy Patrick – Out of the North

Pauline Rowe – light damaged body work

Nick Allen will be familiar with Maytree readers having already released two collaborative collections and edited the marvellous, Green Fields anthology. He joins Maytree in 2023 to release his new  collection, Local Universe. Check out his previous release here: Between Two Rivers by Nick Allen and Myles Linley – Maytree Press

Rebecca Gethin has written 5 poetry publications. She was a Hawthornden Fellow and a Poetry School tutor. Vanishings was published by Palewell Press in 2020.  She was a winner in the first Coast to Coast to Coast pamphlet competition with Messages. She blogs sporadically at www.rebeccagethin.wordpress.com

Tracy Patrick is from Paisley, Scotland. Her poetry has been published in AcumenPoets’ RepublicThe Eildon TreeNew Writing ScotlandSouthlightThe Journal, and on the Glasgow Underground. She has one pamphlet, Wild Eye Fire Eye (2015), and two full collections, Portrait (2022), and, Painting San Romano (2022), all by earth love press. Tracy’s debut novel, Blushing is for Sinners (Clochoderick, 2019), was commended by the Saltire First Book of the Year awards. She has won poetry slams in Glasgow and Edinburgh, received mentorships from the Scottish Book Trust, Clydebuilt Poetry Programme, and has an MLitt in Creative Writing from Glasgow University. Her website is www.tracypatrick.org

We are delighted to welcome Pauline back to Maytree with not one but two new books for 2023. Sleeping in the Middle is a collaboration with acclaimed photographer AJ Wilkinson which we are honoured to have the opportunity to publish. light damaged body work, due for release later in the year, is a new short collection of poems and follows Pauline’s award-winning pamphlet, The Weight of Snow and Saboteur shortlisted pamphlet, The Ghost Hospital. You can find out more here: The Ghost Hospital by Pauline Rowe – Maytree Press

Elizabeth Stott was born in Kent, spending time as a child in Scotland and Bahrain. She has lived in the north of England for most of her adult life, and has settled in Cumbria, where she has lived for over 25 years. A physics graduate, she worked in industry before taking time out to raise her family. As an antidote to the domestic, she started writing fiction and poetry, which has developed to include work in varied form and genre. She has published work in magazines, anthologies, spoken word events, as a Nightjar Press chapbook and a collection of fiction.

Elizabeth is fond of strong black coffee, dark chocolate, and wine. She is a member of a women’s voice choir where she sings alto. She likes to paint sometimes and grows flowers and vegetables in her unruly garden.

Michael’s first collection, Where Grown Men Go, was published by Salt in 2019.  In addition, his pamphlets Undersong (2014) and Locations for a Soul (2016) are available from Eyewear and Templar respectively. His work has recently been published in Poetry Salzburg, Magma, Poetry Wales, The Rialto and Poetry News. In 2017 he was awarded a Northern Writers’ Award. He is currently a Creative Writing research student at Newcastle University. His poem, Coastal Home, was selected by Imtiaz Dharker to be read at the Chancellor’s inauguration ceremony in 2022.

Look out for more news and further details about forthcoming publications coming in the new year. You can subscribe to our newsletter here: Sign Up – Maytree Press

Publishing

Village Voices – celebrating art and poetry

We are delighted to announce that we will be working with the newly formed Marsden Community Poetry group to bring you an anthology that promises to be one of the most entertaining reads of 2023.

Celebrating art and poetry from the diverse and inclusive communities of Kirklees and the South Pennines, Village Voices will be an inspiring collection of poetry and art that celebrates diversity, inclusivity, and equality. This is a post-pandemic anthology – a book that gives a voice back to our communities.

It’s often said that people just don’t read poetry. Well, Marsden Community Poetry want to prove them wrong. Remember, Marsden was the place where Poetry Pubs found fame and where the windows of village shops are often adorned with posters of poetry from all age groups, so perhaps it’s not a bad idea.

And if you didn’t already know, Marsden was home to our current Poet Laureate and also happens to be where Maytree HQ is based.

The anthology will be edited by a panel of acclaimed authors and poets selected by the group – please note that Maytree are not involved with the editorial process.

So, if you are a poet or an artist and you either live in the towns or villages of the South Pennines or have been inspired by lives, landscapes and stories of the area then now is the time to be part of this amazing new collection

To submit please follow these guidelines:

The anthology is aimed at a general audience.

Your poem:

Submit one original poem. Simultaneous submissions are discouraged as the editors and publishers are all volunteers and simply do not have time to change things once your poem has been accepted. Previously published poems are welcomed so long as the author retains copyright.

Although there is no specific theme, the editors are particularly interested in poems that promote and celebrate the diverse and inclusive communities of the towns and villages of the South Pennine.

Maximum line length not including title or breaks is 25. Longer poems may be considered, please send a cover note if this applies.

Illustrations:

Black and white only – sorry but we are unable to accept colour illustrations. The illustration should be Portrait, with space around. Do not draw a border.

Please do not sign – all images will be credited to the artists separately. Please send a high-resolution JPG of the image – original work is not required.

Please contact the project team if you are unable to produce a high quality image.

Copyright:

Copyright remains with the author and/or artist.

By submitting you agree to inclusion into the anthology and its publication and the selection process.

Selection process:

Please send your best poem. All work will be considered by the Marsden Community Poetry working group with final selection by our editorial team.

By submitting your work, you agree that the Editors reserve the right to publish or arrange broadcast of selected works. The right to use any included poems to further publicise the anthology is also retained.

Deadline:

Marsden Community Poetry are looking forward to receiving your work. Submissions will not be considered after midnight Sunday 22 January 2023

Submit:

Send your work to marsdencommunitypoetry@gmail.com

Publishing

Maytree 37 – cover reveal

We’re are very excited to reveal our cover for Maytree 37 as, what turns out to be a first for our press, we have been able to combine the author’s own artwork within the design.

The Storm in the Piano by Christopher James features poems inspired by history and music; peacocks and swimming pools, and are peopled by the famous, the tragic and obscure. From Charles Blondin teetering on a high wire strung around the Earth, to Buddy Holly being blasted from a basement in Damascus, they cross borders of space and time. Whether it’s Picasso wing walking on a French biplane, or the Warden of Pluto patiently waiting to be relieved, the poems all explore our potential and what it means to lead a good life. 

Christopher James is a first prize winner of the National Poetry Competition (2008) the Ledbury, Oxford Brooks and Bridport prizes. He is also a recipient of an Eric Gregory Award from the Society of Authors. He has published several collections, including Farewell to the Earth (Arc, 2011), and The Fool (Templar, 2014). He has also published three Sherlock Holmes novels, including The Adventure of the Ruby Elephants (MX, 2015). He lives in Suffolk with his family, folding bicycle and ukulele.

The cover features Christopher’s cut-up, The house of poet Stephen Spender at 15 Loudoun Road, St. John’s Wood, London.

Christopher describes the inspiration for his artwork as follows:

In 2020, inspired in equal part by Matisse and Peter Blake, I started creating paper cut-up collages – first of still life (especially instruments and fruit) then architecture and landscapes. I typically work to A3 size, but have gone as large as a metre square, and as small as A4. I cut up the pieces, as if assembling my own jigsaw. Once I’ve got everything in the right place, I take a photo to make a note of the positioning. Only then do I start the painstaking process of sticking things down. Pritt Stick is my glue of choice, as it gives you about five seconds’ grace, when you can reposition things if they’re not quite right. One of my biggest projects has been a sequence of 20 ‘houses of the poets.’ I started with Dove Cottage, home of Dorothy and William Wordsworth and the logical next move was Coleridge’s rather grander residence at Greta Hall. Keats’ House in Hampstead followed, as did John Betjeman’s flat in Cloth Fair, London, and the Bronte parsonage.  At the same time, I reread their poetry. The process is totally immersive and takes you very close to the spirit of the poet and their work. Working for half an hour on a window Sylvia Plath might have leant out of, takes you uniquely close. I enjoy exploring different styles of architecture; the effect of different lights and times of day — from Pablo Neruda’s surrealist self-designed house in Chile to Edward Thomas’ very ordinary cottage in Surrey. I find my artwork the perfect companion (and antidote) to writing poetry. As someone once said: ‘you can’t write poems all the time.’ 

And here’s a link to Christopher’s online gallery: Houses of the poets – The Friday Poem

The Storm in the Piano will be officially released on the 17 June 2022 and we can’t wait!

Don’t forget that it’s not too late for a chance to see your work published as a special Three Trees Edition later this year – you have until midnight on the 30 April 2022 to enter our Portfolio Award. Enter here Three Trees Portfolio Award | Maytree Press (bigcartel.com)

Publishing

Past, Present, Future

As we mark the third anniversary of our first publication and look forward to the release of our thirty fifth book, we thought it would be a good excuse to celebrate all the wonderful collections we have had the privilege to work on over the past few years and offer you a little treat.

Looking back over our short life its incredible to see some of the amazing poets and artists we’ve worked with and come to know as our friends. It’s been a great adventure watching the Maytree family blossom.

The future looks just as exciting as we welcome our new editor, Roy Marshall to the fold, look forward to finalising work on our 2022 list, and start planning for 2023.

We will have a short open submissions window again in the autumn plus news of our portfolio awards and a new single poem award plus anthology.

Our cover reveals continue to make the news but we thought we would do something a little different for Maytree 36 and give you a sneak preview in our Future section.

Magdalena is the forthcoming collection from Antony Christie and features the image Sunlit Tree by our very own Roy Marshall. Magdalena is scheduled for release on the 20 May 2022 – look out for a more in-depth feature coming soon.

Don’t forget that you can subscribe to our Newsletter on the sign up page here

Our 2022 Portfolio Award closes in just 22 days. Don’t miss out on this opportunity to be part of our story and see your work published later this year – enter now

And finally, all the above previously released titles are available from our online store here and to say thank you for your support we’d like to offer you 10% discount on all book orders for the rest of April. Please use the code April22 at the checkout.

Uncategorized

Roy Marshall joins Maytree

We are delighted to share the news that acclaimed poet and translator, Roy Marshall joins Maytree Press as part of our editorial team. 

Roy will be working with founding editors, Amanda and David to assist with our Portfolio Awards, forthcoming anthology submissions and open submissions.

Roy brings a wealth of experience to the team having published three celebrated poetry collections whilst also working as a creative writing lecturer.

For those who follow Roy on social media, you will also know that he has a keen eye for a good photograph and we are thrilled to be able to use one of Roy’s images on our next cover – look out for the Maytree 36 cover reveal coming soon – it’s simply stunning.

About Roy:

Roy’s first collection, The Sun Bathers (Shoestring Press, 2013) was short-listed for the Michael Murphy award. His second book, The Great Animator appeared in 2017 and a collection of his versions of the poems of the Italian poet Eugenio Montale, After Montale, was published in 2019. Roy’s poems and short stories have appeared widely in magazines and anthologies in the UK and Ireland, as well as featuring in Poems in The Waiting Room, New Zealand. Roy worked as a coronary care nurse for many years, and later, in adult education, most recently as a part time lecturer in creative writing.